Bounce like your ass has the hiccups

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Come here girl, come here girl, come here girl, bounce Come here girl, come here girl, come here girl, bounce Come here girl, come here girl, come here girl, bounce Come here girl, come here girl, let me talk to you. Lemme see them big titties Don't be actin' sadidy you're not pretty Break bread if you wanna get with me All I wanna do is dig up in them kidneys. Tell your boyfriend he better mind his business For he end up in the trunk of my Bentley I'm considered a boss you can't get me He ain't got enough paper to deal with me.

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F or a producer with endless platinum discs to his name and a peerless reputation for perfectly balancing commerciality with restless innovation, Tim "Timbaland" Mosley has always cut a strangely unfulfilled figure. Looking at his career, it's hard to avoid the impression that the startling hits he has essayed, for Aaliyah, Missy Elliot, Justin Timberlake and Jay-Z, among others, are scant recompense for his failure to become a successful rapper. It's not for want of trying - Shock Value is his fifth solo album - but the public who turn out in their millions to buy his productions elect to stay home when his name appears on the cover.

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App Store. Google Play. Miss ru - Love this song.

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And then there's Elton John. And Magoo. When it comes down to the big three producer-MCs who have defined club-friendly rap over the past decade-- Diddy, Pharrell and Timbaland-- Tim's the one who's been best able to rein in his self-indulgent tendencies. He hasn't spent more time being a pop icon than a musician, hasn't suffered from any major dry spells of creative entropy and, most importantly, has known enough to let his beats do most of the heavy lifting.

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Ooh I like you Bounce C'mere girl, c'mere girl, c'mere girl, bounce C'mere girl, c'mere girl, c'mere girl, bounce C'mere girl, c'mere girl, c'mere girl, bounce C'mere girl, c'mere girl, let me talk to you. Bounce like yo' ass had the hiccups Bounce like we was ridin' in my pick-up Bounce why you lookin' so sad?

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Come here girl, come here girl, come here girl, bounce Come here girl, come here girl, come here girl, bounce Come here girl, come here girl, come here girl, bounce Come here girl, come here girl, let me talk to you. Justin Timberlake: Bounce Like your ass had the hiccups. Bounce Like we was riding in my pickup.

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Thanks girls! Also, I would like to thank all my friends and families for not ordering prawns and shrimps when they dine with me! Thank you so much! Steph and Kah Ern.

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Log dich ein um diese Funktion zu nutzen. Bounce Songtext von Timbaland. Bounce, oh, I like you Come here girl, come here girl, come here girl, bounce Come here girl, come here girl, come here girl, bounce Come here girl, come here girl, come here girl, bounce Come here girl, come here girl, let me talk to you Lemme see them big titties Don't be actin' sadidy you're not pretty Break bread if you wanna get with me All I wanna do is dig up in them kidneys Tell your boyfriend he better mind his business For he end up in the trunk of my Bentley I'm considered a boss you can't get me He ain't got enough paper to deal with me Baby girl wanna two step wit me Turn around wit her ass up against me Roll along and got tipsy And then tonight, tomorrow you the mystery.

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The recent success of Timothy "Timbaland" Mosley has been one of the more interesting occurrences in the pop music scene of the last few years. His most obvious success stories have been Justin Timberlake and Nelly Furtado, two artists whose albums are so indebted to his production touch that it's almost surprising that he didn't get a "featuring" credit on either; the odd pop hits and collaborations with artists like The Pussycat Dolls, Snoop Dogg and what the hell Raven Symone were just gravy. The thing is, even though he's technically not the primary artist on these songs, he puts enough of himself in these songs via a now-signature beatmaking style and charismatic vocal ad-libs even taking on entire verses in some of his songs that they become Timbaland songs as much as or sometimes even more than they are, say, Nelly Furtado songs. Given his none-too-subtle move to the spotlight, it only makes sense that the man who calls himself Thomas Crown would step into the stoplight for a starring role on an album of his own for the first time since 's Tim's Bio: Life from da Bassmentwhich hardly counts anyway.

Comments

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